| “Hydropathic”concentrates 
              on the history of Craiglockhart. At the end of the 19th Century 
              Craiglockhart was built as a Hydropathic centre for water therapies 
              and healing of various illnesses. At the start of World War I the 
              building was requisitioned and turned into a military hospital for 
              the treatment of sick officers, more precisely those suffering from 
              neurasthenia or shell shock. The 
              disorder was often violent where men lost control of their movements, 
              shook and stammered incessantly, even lost their powers of speech 
              and memory entirely and were continually plagued by horrific and 
              violent nightmares. The 
              officers were encouraged to take the healing water therapies and 
              the relaxation of the pool. They were slowly liberated from their 
              torments and cured of their nervous disorders, ironically and tragically 
              only to be sent back to the front line and in many cases to their 
              deaths. On 
              4th November 1918 leading his men across the Sambre Canal Wilfred 
              Owen, poet and officer, died tragically in action. Siegfried Sassoon 
              survived the war and went on to publish Owen’s work as a tribute 
              to his colleague. Both Owen and Sassoon contributed their poetry 
              to The Hydra during their time at Craiglockhart. The Hydra magazine 
              was the hospital publication, developed and produced by the patients 
              during the days of the military hospital. The 
              story of the patients during wartime is a horrific one and the outcome 
              of their healing is tragically ironic. The pool became a tool of 
              war where men wandered, tormented by nightmares and hallucinations, 
              shocked and confused, unable to forget the flashes and blasts, the 
              mud and the blood, the memories of mutilated and dead friends. Sara 
              Gadd 2002 
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